I first heard about this poetic form after I read Neil Gaiman’s “Vampire Sestina” ages ago (and I’m pleasantly surprised to know that his is not the only example from SF/F/H). I’ve never actually tried it myself, but I’m not alone in being attracted to it in some way. It can quite delightful:
I’d like to meet James Longenbach someday to thank him for writing The Resistance to Poetry. I’ve just finished reading the book, but each of its nine essays bursts with so much insight that I don’t think I’ll ever really finish “reading” it.
And to think I was already so impressed with his The Art of the Poetic Line, which I read before The Resistance to Poetry. (Saying that reading the former led me to the latter is only half-true: Chad Davidson mentions Resistance… in “Got Punked: Rebellious Verse.”)
I struggle with the line, so reading The Art… was quite mind-expanding, too. Anyway, more about Longenbach in this interview, showcasing his sensitivity to the materiality of language and, by consequence, poetry.