I want to write the long poem, but I’m not sure I can.
Lately, I’ve been working with a particular form I’m tempted to call the singsong skinny sonnet and dismiss as hokey, but I don’t want to be ungrateful to something that’s been goading me to write more poems quickly. In addition, there’s also a commonality in the material that triggers these poems: they mostly have a specific focus on a pop-cultural artifact I barely remember or misremember (unintentionally or intentionally). That intrigues me, as it wasn’t part of the design. Finally, it’s also forcing me to think/write in shorter lines, which I wasn’t wont to do before, despite how much I enjoy reading, say, Graham Foust.
I don’t know how I’ll arrange these in my thesis. I can put them one after the other and call it a series; that would be justifiable. However, there may also be an advantage to spreading them out across the collection. We’ll see. I’ll think about these after writing more poems, whether in this form or another, as well as the critical essay.
(One worry that I do have is how I’m beginning to doubt my abilities to write in the jagged irregular-lined free verse poem I used to be comfortable in. Never satisfied, c’est moi.)
Anyway: I’ve loved at Length ever since I first read Jee Leong Koh’s ghazal sequence Barthes tribute “A Lover’s Recourse” some time back. I hope to submit something with length and quality to them someday. In the meantime, I’m very pleased they asked FIFTY writers to offer “Short Takes on Long Poems.” This is research, scoping out the landscape. Except that I wonder if a long poem is a mountain, because one reads it vertically on the Web, or a horizon, because it stretches in my mind as I read it.
- Short Takes on Long Poems, Volume 1 (Dana Levin on Anne Carson‘s “The Glass Essay“)
- Short Takes on Long Poems, Volume 2 (David Caplan on T. S. Eliot’s “The Love Song of J. Alfred Prufrock”)*
- Short Takes on Long Poems, Volume 3 (Michael Collier on John Berryman’s “Homage to Mistress Bradstreet”)**
- Short Takes on Long Poems, Volume 4 (Darcie Dennigan on Brigit Pegeen Kelly’s “Three Cows and the Moon”)
Some brief comments:
- I could have sworn I’ve read Levin before, but nothing strikes me as strongly familiar. That said, I love “The Glass Essay,” and I’m glad they chose that over, say, the book-length works Carson usually likes writing.
- While Caplan’s first experience with this poem matches my own, it’s a little weird that this would be the Eliot poem discussed for this series of articles instead of, say, The Waste Land or Four Quartets.
- Choosing this over The Dream Songs works, partly because of my relative familiarity with Dream Songs over Bradstreet.
- I’ve never heard of Kelly before this, but I love Dennigan, so this is great reading.