The Spoils: January 2013

2013 began in a state of panic and pressure, as I struggled to finish my thesis, at least in a form ready for defense. At the end of my efforts: a 24-page poetics essay for an introduction and a 13-page appendix with some “notes on composition” bracket 56 poems. If that seems short, the prose section especially, it’s only because I had to wrestle all sorts of ideas out of my paper in the hopes of streamlining what was an unwieldy beast I could barely control back then. Now I can somewhat breathe again, this draft of my thesis with my critic, who will point out any revisions that have to be made before giving me the green-light for defense. Now I can finally rave about the great titles I received in January:

Useless Landscape or, A Guide for Boys by D.A. Powell

and, part of my wife’s Christmas gift to me, three books each from three small presses:

 

Top row: Canarium Books

  1. Madame X by Darcie Dennigan
  2. The Invention of Glass by Emmanuel Hocquard (translated by Cole Swensen and Rod Smith)
  3. I Am Your Slave Now Do What I Say by Anthony Madrid

 

Middle row: Factory Hollow Press

  1. Beauty Was The Case That They Gave Me by Mark Leidner
  2. Experiments I Should Like Tried At My Own Death by Caryl Pagel
  3. Crash Dome by Alex Phillips

 

Bottom row: Octopus Books

  1. Balloon Pop Outlaw Black by Patricia Lockwood
  2. Hider Roser by Ben Mirov
  3. Dear Jenny, We Are All Find by Jenny Zhang
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The Spoils: December 2012

  1. A Broken Thing: Poets on the Line (excerpts here and here, introductions here)
  2. Novel Pictorial Noise by Noah Eli Gordon (reviews here and here and here and here)
  3. Elegy by Mary Jo Bang (reviews here and here and here and  here and here)
  4. Skirmish by Dobby Gibson (review and Book Notes track list)
  5. Selected Poems and Prose of Paul Celan, trans. John Felstiner (excerpt here and here, review here and here and here and here and here, essay here and here and here)

BREVITY's Nonfiction Blog

balls

Bad news, Brevity fans.  You aren’t going to win the lottery**, a fact made clear in Eric LeMay’s addictive essay in Diagram 11.5 and in Hannah Ensor’s appreciation of LeMay’s essay found on the Essay Daily Advent Calendar.  Here is Ensor on LeMay’s essay (which is indeed a Flash essay, but of a different kind):

LOSING THE LOTTERY … does some fancy interactive computer stuff alongside more classic essay things. It starts by asking you to choose six numbers from among floating gray lottery balls. Once you do, you enter the essay: split into two parts, the essay sections (49 in all and, besides the first, randomly presented) on the left and on the right a computer-generated simulation of lottery results: using the six numbers you chose, it simulates winnings and costs based on buying a hundred $1 Ohio Classic Lotto tickets every second. Which, for the record, would be a lot…

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Pleased to Meet You: Joshua Corey

I’m pretty sure I’ve read a blog entry from Cahiers de Corey before, but I can’t remember which. I promised myself I’d regularly catch up with the Arcadia Project Web site set up to supplement the  600-page anthology of “North American Postmodern Pastoral” Corey edited with G. C. Waldrep, but I haven’t done so. And I’ve definitely read Corey’s essay on Richard Hugo before (I’m re-reading it now), because of the sentences from it that stick:

  1. “More nakedly than any American poet I know of, Hugo writes about the task and function of poetry from a position of sheer abjection.”
  2. “…Hugo also implicates the reader in his vision of the poet as awkward failure.”
  3. “…any poet, even the most successful, is likely to feel herself an outsider in a culture where most literate people are cheerfully oblivious to poetry…”
  4. “That need, that state of abjection, is Hugo’s given, and if you take it as your own, he can teach you how to write a poetry that transcends your inadequate self.”
  5. “Read at the right angle, The Triggering Town can help bridge the gap that now yawns so wide between a poetry of subjectivity and a poetry that foregrounds the operations of language, that seeks to demonstrate the fragile constructedness of our selves and the world.”

But I’ve never actually read Corey’s poems before this morning. Big mistake.

I like how News of the Blazing World” opens with “This is the church of Aspartame,/ caffeine, nicotine, and winter through// that window, stripping branches bare,” and ends with “He imagines a world/ as a king might, scientifically// from kingdom to phylum to species,/ from general death to the life of the concrete.”

Here’s another great opening, from “A Fine Romance”:

I can explain: the sea is not ice. It is a salinity that resists
slippage, that cannot thaw or be resolved,
that will not stalk its own surface,
that can’t extratheistically transform its peculiar substance
without alluding to buggery, misconduct, pandered memory

Here’s another great ending, from “Cognitive Deficit Market”:

The skin is a glove that wrinkles as it tightens.
The cerebellum’s the same. A game
of chess between walking sticks—I mean the insects
made up to resemble wood. I say we dissemble
from photos and repetition
our stakes in these weightless names.

And here’s a great middle from “Stage Blood on the Mouths of the Eumenides” (which appears with another poem called “Dissolved Soviet”):

Press star seven seven for additional privacy.
Press star pound star to disappear utterly.

And reappear at a pinched cry from an alley—

The map unfolds in traffic.
Context requires wrinkles,
even digital context. Context
is one of the slower-deploying
airbags.

I think I’d like to pick up Severance Songs (be sure to download the PDF of the “study guide” linked on that page), his collection of quasi-sonnets. Samples can be read from that link, and there’s another here (“Yours the face aglow in the cold,/ precarious thriver in the song-stung dark./ With glance and lip you collected me.”) and here (“Put on your hat and gloves, it’s poignant out./ Carry your own chill separate from the air’s.”).

The one I like best is the one from this review, a poem alluding to Icarus, William Carlos Williams, Led Zeppelin, Walter Benjamin’s angel of history, Yucca Mountain, etc. BRILLIANT.

The Spoils: November 2012

 

  1. Poasis: Selected Poems 1986-1999 by Pierre Joris (a review, a second, a third)
  2. Best-selling Jewish Porn Films: New Poems by Wayne Koestenbaum
  3. The Two Sams by Glen Hirshberg (a reviewanothera story from the book, another that isn’t)

[B-day Giveaway] Mukhang Pera X Avalon.ph Limited Edition Field Notes Giveaway | Mukhang Pera Philippine Contests, Promos, Freebies, and more

I can’t get enough of Field Notes. And though I like the regular editions better than the limited ones, THESE colors are pretty nice.

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