DISCLAIMER: These aren’t really dark tomes, but that’s a popular horror cliche trope, after all.
I’m not absolutely certain, but I think this semester will mark my fourth time to teach the Horror Film course (officially called COM105.9: Film Seminar – The Horror Film). While warnings abound about fixing something that isn’t broken, I believe every course can be improved, even without needing actual fixing.
My most immediate concern is the course text, i.e., the book from which I will assign readings for my students. I’ve always used Mark Jancovich (ed.)’s Horror, The Film Reader (the leftmost cover with Kurt Russell from The Thing on it), but I’m now wondering if I should change to Brigid Cherry’s Horror or Ken Gelder (ed.)’s The Horror Reader:
From left to right: Mark Jancovich, Brigid Cherry, Ken Gelder.
I’m pretty sure I’ve read one of Waggish‘s blog entries before, but one of those I read this morning cracked me up. I wish I knew enough to take a crack at Choose Your Own Philosophical Adventure #1: Escape from the Dialectic.
ASIDE: I’m unsure why Waggish mentions Erica Weitzman there (it doesn’t seem like they’re the same person) but so far, I’m enjoying what I find online.
This includes poems and an essay about punk entitled “I Wanna Destroy: Towards an Aesthetic of Violence” (PDF). That and “No fun: aporias of pleasure in Adorno’s Aesthetic Theory” seem to reveal what might be Weitzman’s pattern of writing essays with punk rock allusions in their titles.
Back to Waggish: other highlights include a brief discussion on “Freud on the Uncanny/Unheimlich” and a series of pieces entitled “Thoughts on Genre.” Three entries under the latter focuses on blogs and ties in with my own attempts to figure out what’s up with this blog:
Editions of You “fails” on most counts.