For being “the first poet in the Western tradition to take money for poetic composition,” or so claims Anne Carson in Economy of the Unlost: Reading Simonides of Keos with Paul Celan.
For being the seminal figure in the development of spatial thinking as a mnemonic aide, or so claims Joshua Foer in “Secrets of a Mind Gamer.”
For being a particularly contentious thorn in discussions of the dichotomy Plato establishes between poetry and philosophy, or so claims Adam Beresford in “Erasing Simonides.”