was my reply to
Masha tweeted that right after she multi-tweeted the following bit from Spectres Of Marx:
Still part of my ongoing “organization” of the numerous browser tabs I’ve had open for a month or so now, three more links to essays I find interesting:
- “Zombie Economy” by Ben Woodard (originally written with the following subtitle: “Understanding Capitalism, Ideology and Desire through the Zombic text”)
- “Honeymoon in Disneyland” by Mark Fisher (moves from Philip K. Dick to Eurodisney to Michael Jackson)
- “What You’ve Done to My World” by Mark Greif (on Fugazi’s self-titled debut EP but also about the punk rock experience)
Great interview with Ian Bogost, who I think I’ll concisely refer to as someone engaged, in the broadest and fullest sense of the term, with videogaming. (He’s also appeared on The Colbert Report.)
His background in philosophy and literary studies is married to his work as a videogame developer; married is the operative term, as these interests are brought together in the spirit of not interdisciplinarity but love*.
He’s written about reading online and Facebook, and his recent reflections on an as-yet hypothetical metaphysics videogame are so insightful that they almost read like pieces on the metaphysics of videogames.
I wish I could have more to say about these things I’ve been coming across lately, instead of just sharing links here and there. But I really need to do some mental reshuffling these days, with the help of these things I turn up here and there.
* Different context, but Marjorie Perloff also has an interesting article that, among other things, criticizes the unthinking manner in which the term “interdisciplinary” is often used these days.
Something tells me I may be setting myself up with the title of this entry. You see, I’m really talking about living la vida existencialista: Nietzsche and Heidegger.
DISCLAIMER: These aren’t really dark tomes, but that’s a popular horror cliche trope, after all.
I’m not absolutely certain, but I think this semester will mark my fourth time to teach the Horror Film course (officially called COM105.9: Film Seminar – The Horror Film). While warnings abound about fixing something that isn’t broken, I believe every course can be improved, even without needing actual fixing.
My most immediate concern is the course text, i.e., the book from which I will assign readings for my students. I’ve always used Mark Jancovich (ed.)’s Horror, The Film Reader (the leftmost cover with Kurt Russell from The Thing on it), but I’m now wondering if I should change to Brigid Cherry’s Horror or Ken Gelder (ed.)’s The Horror Reader:
From left to right: Mark Jancovich, Brigid Cherry, Ken Gelder.