Still part of my ongoing “organization” of the numerous browser tabs I’ve had open for a month or so now, three more links to essays I find interesting:
- “Zombie Economy” by Ben Woodard (originally written with the following subtitle: “Understanding Capitalism, Ideology and Desire through the Zombic text”)
- “Honeymoon in Disneyland” by Mark Fisher (moves from Philip K. Dick to Eurodisney to Michael Jackson)
- “What You’ve Done to My World” by Mark Greif (on Fugazi’s self-titled debut EP but also about the punk rock experience)
DISCLAIMER: These aren’t really dark tomes, but that’s a popular horror cliche trope, after all.
I’m not absolutely certain, but I think this semester will mark my fourth time to teach the Horror Film course (officially called COM105.9: Film Seminar – The Horror Film). While warnings abound about fixing something that isn’t broken, I believe every course can be improved, even without needing actual fixing.
My most immediate concern is the course text, i.e., the book from which I will assign readings for my students. I’ve always used Mark Jancovich (ed.)’s Horror, The Film Reader (the leftmost cover with Kurt Russell from The Thing on it), but I’m now wondering if I should change to Brigid Cherry’s Horror or Ken Gelder (ed.)’s The Horror Reader:
From left to right: Mark Jancovich, Brigid Cherry, Ken Gelder.
I’m a big fan of M. John Harrison‘s writing in general: not just his novels and stories but also his blog entries.
Lately, Harrison’s been posting lists of works in the related genres of fantasy and science fiction. It would be an understatement to refer to these lists as unorthodox; while most of the entries are books, some are films, computer games, and pop songs.
In a comment on one of Harrison’s follow-up lists, an artist named Edwin Rostron mentions something called The Codex Seraphinianus. Following the link Rostron left, I found myself thrilled by both the book itself and that essay about it. Additionally, I was also thrilled by the mention of a professor named Terry Harpold.
That was when things became apophenic.